AMERICA - Ep. 2 Pychopatriot

AMERICA - Ep. 2 Pychopatriot

Dance

America’s got a story. And it’s sticking to it. But where’s it written down? Where is the ‘Great Am...

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Simulacrum

Simulacrum

Dance

Simulacrum weaves together the true histories of two extraordinary dancers – to create a semi-ficti...

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Jingle Horse! A Christmas Special

Jingle Horse! A Christmas Special

Dance

Jingle Horse is Winter Guests’ first direct collaboration with the Norwegian Opera and Ballet, and ...

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Coelacanth

Coelacanth [see,lu-canth]

Dance

With Coelacanth we present our biggest and most ambitious project ever - an epic 5,5 hour theatrica...

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LILLY & GEORGE

LILLY & GEORGE

Dance

Mum and Dad – It all begins with them. During our childhood, our parents’ experiences and choices b...

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BIRD IN MAGIC RAIN WITH TEARS

BIRD IN MAGIC RAIN WITH TEARS

Dance

Multi-medial two act play for three performers Essentially a piece about longing and coming to term...

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What's not to love?

What's not to love?

Dance

Drawing on references from cinema, television and theatre, “What’s Not to Love?” utilises many expr...

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FLAWED

FLAWED

Dance

With self-hatred as a jumping-off point, “FLAWED” looks at the contemptuous and critical dialogue w...

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Before Long

Before Long

Dance

With text and dance by Alan Lucien Øyen and 16mm film shot by Norwegian filmmaker Ulirk Imtiaz Rolf...

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Alan Lucien Øyen

Alan Lucien Øyen

Alan Lucien Øyen
Alan is one of the most exciting artists from Norway today, whose work as writer, director and choreographer has been highly acclaimed in his home country and abroad.

As the son of a dresser, Alan grew up in a small theatre, Den Nationale Scene, established by Ibsen himself, in the town of Bergen, Norway. Here he would watch theatre religiously from the age of 7: classical productions as well as contemporary masterworks like the very first world premieres from Norwegian playwright Jon Fosse.

At the age of 17 he went on to study Ballet with Hungarian ballet master and Marinsky graduate Peter Tornev, whom he studied with for two years before being accepted into the State School of Art in Oslo where he graduated as a dancer in 2001.

Alan spent his first years as a dancer with The Norwegian National Contemporary dance company, Carte Blanche, where he met American choreographer Amanda Miller, he later went on to join her company Pretty Ugly in Köln in 2005.

Alan choreographed his first piece "excerpts of citation without context" in 2004, a solo dealing with the over-exposure of information in modern day society based on Jean Beudrillard's essay "Ecran Totale", (Screened Out).

By 2006 he’d already established his own company winter guests - a multidisciplinary company bringing together actors, dancers, writers, set designers and technicians, touring theatrical works in English for the international stage. Since 2009 his plays for winter guests has been written and developed together with British playwright and director Andrew Wale.

Whether it's theatre, dance or film, Alan's works have a highly emotional and dramatic drive. His choreographic language is complex and technically challenging. His works are informed by the world around him which allows him to draw inspiration from a myriad of sources including high art and popular culture as well as personal conversations and experiences - always in pursuit of a sincere and human expression.

Alan has won several awards, both for his choreographic works as well as his theatre productions. His a six hour long play “Coelacanth”, (co-written with Andrew Wale), won him the prestigious HEDDA Award, (Norwegian Theatre Awards), for Best Original Play, as well as three other nominations including Best Director and Best Play.

As Artist in Residence with the Norwegian National Opera and Ballet, Alan is given the space and freedom for himself and his company winter guests, to make groundbreaking theatre and dance performances in the stunning new Norwegian Opera House.

Besides his work for winter guests, Alan is also commissioned to create work for companies in Norway and abroad. His most recent productions, his staging of Swedish playwright Lars Norén's "As the Leaves of Vallombrosa" for Det Norske Teatret in Oslo, as well has “Kodak”, (which he wrote, choreographed and directed), for the Gothenburg Opera's Dance Company, received great critical acclaim.

Alan and winter guests receives annual funding from the Norwegian Arts Council and has been generously supported since 2004.

Alan Lucien Øyen