Story, story, die.

Story, story, die.

Dance

With a cast of 7 extraordinary dancers – Story, story, die. looks at the interdependency between li...

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AMERICA ep. 3 - SuperAmateur

AMERICA ep. 3 - SuperAmateur

Dance

“What a vast screen one could fill if there were no edits…” For the final installment in their Amer...

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AMERICA - Ep. 2 Pychopatriot

AMERICA - Ep. 2 Pychopatriot

Dance

America’s got a story. And it’s sticking to it. But where’s it written down? Where is the ‘Great Am...

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Simulacrum

Simulacrum

Dance

Simulacrum weaves together the true histories of two extraordinary dancers – to create a semi-ficti...

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Jingle Horse! A Christmas Special

Jingle Horse! A Christmas Special

Dance

Jingle Horse is Winter Guests’ first direct collaboration with the Norwegian Opera and Ballet, and ...

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Coelacanth

Coelacanth [see,lu-canth]

Dance

With Coelacanth we present our biggest and most ambitious project ever - an epic 5,5 hour theatrica...

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LILLY & GEORGE

LILLY & GEORGE

Dance

Mum and Dad – It all begins with them. During our childhood, our parents’ experiences and choices b...

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BIRD IN MAGIC RAIN WITH TEARS

BIRD IN MAGIC RAIN WITH TEARS

Dance

Multi-medial two act play for three performers Essentially a piece about longing and coming to term...

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What's not to love?

What's not to love?

Dance

Drawing on references from cinema, television and theatre, “What’s Not to Love?” utilises many expr...

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FLAWED

FLAWED

With self-hatred as a jumping-off point, “FLAWED” looks at the contemptuous and critical dialogue which has become an everyday part of how we relate to each other.  Using dance, drag, violent text and video as their armoury of weapons, Alan Øyen and, former Batcheva dancer, Léo Lérus explore the terrifying brutalities and unnerving subtleties of racism, sexism… any-ism, and the fury that's inherent within all of us.

 

FLAWED is an expressive and aggressive form of performance where the keywords are critique and quarrel.  The use of text is imperative and dialogue-driven - a bitter and unpleasant commentary - a showcase for the ugly face of misanthropy.

  

Excerpt from the piece:

"There's several of them holding him in place. The guy behind him has got his dick out. And here comes the power of ‘now’ plunging through his ass. Fuck!  The power of ‘now’ is persuasive. Imagine that's what they meant, this is how it feels. - “Live the moment.”

 

FLAWED

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